A pioneer study on a scarcely studied topic: contemporary cyber-feminist art in a world where biotechnological research and innovation has opened new horizons of how women can be imagined, represented and communicated in respect to social meaning and corporeal conditions. Author Jasso analyzes the historic outcome of this process and the new platforms and inflexion points of this artistic genre. Includes 3 case studies of artists that go beyond geographical limits: French video artist Catherine Ikam, American conceptual multimedia artist Victoria Vesna (New York, NY), and Korean artist Lee Bul and her futuristic installations.
